Showing posts with label France. Show all posts
Showing posts with label France. Show all posts

Tuesday, September 15, 2015

Jesse Tree Wood: Trunk, Vine, Leaves, Flowers, and Fruit-Part 3

 Continued from previous blog.
    
       In the fifth century, most probably before 440 CE, Socrates Scholasticus wrote in Historia Ecclesiastica Book 1 Chapter XVII about how the Emperor Constantine’s mother Helena went to Jerusalem, searched for and found the Cross of Christ.  It was Constantine I and his mother, Helena, who had the Church of the Holy Sepulchre built on the site. [10]  This is the first reference to finding the cross of Crucifixion.

      [She] found three crosses in the sepulchre: one of these was that blessed
     cross on which Christ had hung, the other two were those on which the
     two thieves that were crucified with him had died. With these was also
     found the tablet [alternatively, board] of Pilate, on which he had inscribed
     in various characters that the Christ who was crucified was king of the Jews.
     Since, however, it was doubtful which was the cross they were in search of,
     …bishop of Jerusalem, Macarius,…solved the doubt by faith, for he sought
     a sign from God and obtained it. The sign was this: a certain woman of the
     neighborhood, who had been long afflicted with disease, was now just at
     the point of death; the bishop therefore arranged it so that each of the crosses
     should be brought to the dying woman, believing that she would be healed
     on touching the precious cross. Nor was he disappointed in his expectation:
     for the two crosses having been applied which were not the Lord's,the
    woman still continued in a dying state; but when the third, which was the
     true cross, touched her, she was immediately healed, and recovered her
     former strength. In this manner then was the genuine cross discovered.
    The emperor's mother erected over the place of the sepulchre a magnificent
    church,[alternatively, house of prayer] and named it New Jerusalem,
    having built it facing that old and deserted city. There she left a portion
    of the cross, enclosed in a silver case, as a memorial to those who might
    wish to see it: the other part she sent to the emperor, who being persuaded
    that the city would be perfectly secure where that relic should be preserved,
    privately enclosed it in his own statue, which stands on a large column of
    porphyry in the forum called Constantine's at Constantinople...Moreover
    the nails with which Christ's hands were fastened to the cross (for his
    mother having found these also in the sepulchre had sent them) Constantine
    took and had made into bridle-bits and a helmet, which he used in his
    military expeditions.


            Writing a few years after Socrates Scholasticus, Sozomenus, began writing his Historia Ecclesiastica after 443 to bring the history of the church up to year 439, though the portion of his work that covers the years 425-439 has been lost.  In his Book II, he also wrote two chapters about Empress Helena, the mother of Constantine I, visiting Jerusalem.  The first chapter is about finding three crosses in Jerusalem.[11]  Sozomenus wrote “Helena repaired to the city for the purpose of offering up prayer, and of visiting the sacred places.  Her zeal for Christianity made her anxious to find the wood which had formed the adorable cross.  But it was no easy matter to discover either this relic or the Lord’s sepulchre.”

          In his version, Sozomenus offers an alternative explanation for finding the site, “some say that the facts were first disclosed by a Hebrew who dwelt in the East, and who derived his information from some documents which had come to him by paternal inheritance…”  Sozomenus went on to write, “When by command of the emperor the place was excavated deeply, the cave whence our Lord arose from the dead was discovered; and at no great distance, three crosses were found and another separate piece of wood, on which were inscribed in white letters in Hebrew, in Greek, and in Latin, the following words: ‘Jesus of Nazareth, the king of the Jews.’”  Sozomenus wrote that the soldiers had discarded the crossed after removing the bodies of Jesus and the thieves so it would require a sign to figure out which was the true cross.  As in Socrates’ version, the three crosses were brought to a lady sick to the point on death.  When the third cross was laid on her, she was immediately cured and rose from her sick bed.  Then,

          the venerated wood having been thus identified, the greater portion of it was
          deposited in a silver case, in which it is still preserved in Jerusalem: but the
          empress sent part of it to her son Constantine, together with the nails by
          which the body of Christ had been fastened. Of these, it is related, the emperor
          had a head-piece and bit made for his horse, according to the prophecy of
          Zechariah, who referred to this period when he said, ‘that which shall be upon
          the bit of the horse shall be holy to the Lord Almighty.’

            Theodoret , bishop of Cyrrhus from 423-457, was the third author of an Ecclesiastical History.  Theodoret wrote about 450 CE.  In his Book I, Ch. 17, he wrote a compact version of the finding of the true cross and its recovery and preservation.

   When the empress beheld the place where the Saviour suffered, she
    immediately ordered the idolatrous temple, which had been there erected,
    to be destroyed, and the very earth on which it stood to be removed. When
    the tomb, which had been so long concealed, was discovered, three crosses
    were seen buried near the Lord’s sepulchre. … [T]he wise and holy
    Macarius, the president of the city, resolved this question in the following
    manner. He caused a ladyof rank, who had been long suffering from disease,
    to be touched by each of the crosses... For the instant this cross was
    brought near the lady, it expelled the sore disease, and made her whole.


   The mother of the emperor… gave orders that a portion of the nails should be
   inserted in the royal helmet, in order that the head of her son might be
   preserved from the darts of his enemies. The other portion of the nails she
   ordered to be formed into the bridle of his horse…


  She had part of the cross of our Saviour conveyed to the palace. The rest was
  enclosed in a covering of silver, and committed to the care of the bishop of the
  city, whom she exhorted to preserve it carefully, in order that it might be
  transmitted uninjured to posterity …

       Apparently, none of the 5th century texts of church history written in Greek were in England by 1100.  There were manuscripts of Eusebius’ Historia Ecclesiastica as translated by Rufinus available but the text by Eusebius did not relate any story about the finding of the Cross.[12]

       It was a fourth version of early Christian church history compiled by an Italian statesman and monk called Cassiodorus who was the author of the Historia Tripartita.   Cassiodorus was a Greek speaking Italian from the coastal Calabrian region who had retired to the monastic community, Vivarium, in the second half of the sixth century after being an administrator under the Ostrogoths in Italy and also in Byzantium.  He composed the history using the three fifth century texts mentioned above (Socrates Scholasticus, Sozomenus, and Theodoret of Cyrrhus).  One of Cassiodorus’ colleagues at Vivarium, Epiphanius, translated the text into Latin. 

       None of the Greek ecclesiastical histories were known in England.  The only English owned copy of Historia Tripartita is a fragment at the Winchester Cathedral Library with shelf-number 25.[13]  It was made in north-eastern France about 925-950.  Even though the evidence for the availability of the Latin Historia Tripartita is scant for England, ninth and tenth century and later copies including some early print editions of the Historia Tripartita texts were quite widely available on the continent in monasteries and later libraries now located in France, Germany, Switzerland and Italy.  One hundred thirty-seven manuscript copies of the text survived to the 20th century, an indication of the text’s popularity and influence.  Some of the French abbeys having copies include Corbie Abbey and the Abbey St. Riquier, both in Sommes, Picardy; and Abbey of Saint-Wandrille in Seine-Maritime, Normandy, one copy was owned by Benedictine Abbey Saint-Père-en-Vallée in Chartres, Saint-Gatien at Tours, Saint-Auben at Angers, and others all had copies of Historia Trpartita.[14]  Several of these abbeys had ties to English houses.[15]  Rosamond McKitterick suggested in her book, History and Memory in the Carolingian World, that this pattern of distribution was not haphazard but rather a deliberate plan during the Carolingian Reformation to improve learning at the abbeys, correctio and emandatio[16].  So Cassiodorus’ Historia Tripartita was how the story of the finding of the True Cross reached from the Greek speaking Byzantine Empire to western Europe.


Two pages of Cassiodorus' Historia Tripartita that tell of Helen's finding of the Tree Cross from Book II. Manuscript now in the Vatican Library,Apostolica Vaticana, Pal. lat. 824.
Epiphanius Scholasticus & Flavius Magnus . Manuscript made in Germany about 1100.
Historia ecclesiastica tripartita —
<http://bibliotheca-laureshamensis-digital.de/bav/bav_pal_lat_824/0068>

Continued to the next blog. 


            

Thursday, August 13, 2015

The Single Lancet Jesse Tree Window in France: Reading a Jesse Tree Window, Part A

        I am beginning my review of single lancet French Jesse Tree windows of the 12th century onward by discussing how one reads a Jesse Tree window from both bottom up ( Jesse, King David, other kings) and top down, (Christ in Majesty, the Blessed Virgin Mary, then kings). Often people think of Jesse Tree windows as picture books for the illiterate. But that cannot be the full story since many were made of abbey churches and other places where the most likely persons to see the windows were at least modestly literate monks and clergy. Jesse windows are often found at the east end of churches and in Lady's Chapels where clergy would have been the primary viewers of the window.

     I have mentioned that the persons in a Jesse Tree, whether illuminated or in glass, can be identified by position within the tree, accompanying symbols, accompanying scrolls or banderoles, or even names written near the figure. In the Jesse Tree window, the identification of the persons in the window is important for the understanding of the window. 


     The bottom panel or panels of a Jesse Tree from the 12th through the mid-15th century is/are occupied by the recumbent or reclining Jesse, asleep usually in a bed. This sleeping Jesse evokes both Jacob’s dream and the sleep of Adam when Eve was formed from Adam’s rib by God as told in the second creation story, Genesis 2.4-24. Sometimes the “rib of Adam” image is enforced with the tree or vine growing from Jesse’s side. At other times, the tree seems to grow from the loins of Jesse, a reference to the "begats" of Matthew 1. When Jesse is lying down, Jesse sometimes appears in multiple panels, especially as the Jesse Trees enlarged from single lancet windows to multiple panels. After the mid-15th century through the 16th century, Jesse is found nodding off while seated on a chair or throne. The seated Jesse is revived in the 19th century neo-gothic windows.

     The prophets and patriarchs were most often identified by scrolls or banderoles, and something by names. If there is no written identification of the prophet or patriarch or other ancient person, their identification is nearly impossible since the order and placement of prophets, patriarchs, and priests of the Old Testament was never standardized in Jesse Tree windows.

     Symbols identified the kings. In the Angers cathedral  window (Cathedral of St. Maurice, Angers, Maine-et-Loire, France)  the king of Judah above Jesse is playing a harp, and therefore is King David. The second king of Judah above Jesse is holding a scepter. This is sometimes the symbol for King Solomon. The third king of Judah above Jesse is playing a vielle, the symbol often associated but not always with Solomon since he was considered the author of the Song of Solomon or Canticum Canticorum
.  Other iconographic symbols include a book or a model of a church for the Temple of Jerusalem. [Note: French scholars seem to refer to the bowed waisted instrument that I call a vielle, a "rote."  Rote refers to a Welsh stringed instrument that looks more like a lyre.]

     As an aside, the vielle was a bowed 5-string instrument that may or may not have been waisted like a violin. The vielle is related to the rebec and Bysantine lyras that have three to five strings. Among the descendats of the vielle is the viol and later the violin and viola. Vielles were played either on the shoulder or the lap.





Since the 13th century Jesse Tree window of the Cathedral of St. Maurice, Angers, France is hard to see because of  corrosion of the glass, I have included details of the upper panels from Christ in majesty at the top to David with harp at the bottom, skipping one unidentified King of Judah.  Note King David with harp, King Solomon with scepter and unidentified king with unwaisted vielle
Photo credit: Dr. Stuart Whatling
<http://www.medievalart.org.uk/Angers/angers_default.htm >

     Scholars have noted that the window panels at Angers have been rearranged in the past. And thus, it is quite possible that the order of the kings were re-arranged in error at some point. Boulanger in her study of the windows at Angers states that the Jesse Tree window in the choir is one of eleven windows made between 1230-35. The cathedral was wealthy enough that it did not depend on secular donors, and thus there was great unity in the style and iconography of the windows. (Karine Boulanger. Les vitraux de la cathédrale d'Angers (2010) Paris: CTHS.) The stained glass at Angers cathedral, made in the 12th, 13th, and 15th centuries, suffered through periods of restoration and repair and long centuries of neglect. It is possible to speculate that during one of these 
restorations the panel of Solomon and a generic king of Judah with scepter were reversed. (David King. Angers Cathedral, Vidimus 48 (Feb. 2011, <http://vidimus.org/issues/issue-48/feature/>
).

     There is a similar orders of the kings of Judah in the Jesse Tree window of Amiens Cathedral.